SUPPLICATORY PROCESSIONS WITH CHRISTIAN RELICS: ORIGINS, DEVELOPMENT,
AND RITUAL FUNCTION IN THE MEDIEVAL EURO-MEDITERRANEAN WORLD
Procesiones suplicatorias con reliquias cristianas: orígenes, desarrollo y función ritual en el mundo euro-mediterráneo medieval
Joaquín Serrano del Pozo
Universität Tübingen / JGU Mainz
jserrano@uni-mainz
ARK CAICYT: https://id.caicyt.gov.ar/ark:/s24516821/okak3arrc
Fecha de recepción: 12/01/2026
Fecha de aprobación: 16/03/2026
Abstract
This article examines supplicatory processions
with Christian relics across the medieval Euro-Mediterranean world. It traces
their Late Antique emergence at the intersection of three developments:
expanding beliefs in the apotropaic power of relics; the consolidation of
Christian processional liturgy; and scriptural precedents, especially Old
Testament models such as the Ark of the Covenant. Adopting a comparative
approach considering both the Eastern Roman Empire and the Latin West, it
analyses how relic processions were deployed in moments of danger and calamity,
and how their forms varied across contexts. Rather than assuming uniform
evolution or direct transmission, it emphasises parallel developments grounded
in shared conditions, with significant regional variation. Finally, it reflects
on the sociocultural functions of relic processions, highlighting the capacity
of these “charismatic objects” to structure collective action, reinforce
cohesion, and articulate authority in moments of crisis.
Keywords
Christian relics - Supplicatory processions -
Charismatic objects
Resumen
Este artículo examina las procesiones suplicatorias con reliquias cristianas en el mundo euro-mediterráneo medieval. Rastrea su surgimiento en la Antigüedad tardía en la intersección de tres procesos: la creencia en el poder apotropaico de las reliquias; la consolidación de la liturgia procesional cristiana; y precedentes bíblicos, especialmente modelos veterotestamentarios como el Arca. Desde un enfoque comparativo que considera tanto Bizancio como el Occidente latino, analiza el uso de procesiones con reliquias en momentos de peligro y calamidad, y su variabilidad según distintos contextos. Lejos de asumir un desarrollo uniforme o transmisión directa, subraya desarrollos paralelos anclados en condiciones culturales compartidas, con diferencias regionales importantes. Finalmente, reflexiona sobre las funciones socioculturales de estas procesiones, destacando la capacidad de estos “objetos carismáticos” para estructurar la acción colectiva, reforzar la cohesión y articular autoridad en momentos de crisis.
Palabras clave
Reliquias cristianas - Procesiones suplicatorias
- Objetos carismáticos
Introduction - Two Curious Cases
This article examines a Late Antique and
medieval ritual that became common across the Euro-Mediterranean world:
supplicatory processions with Christian relics. It begins by outlining the
cultural and liturgical conditions that made the practice possible, then
analyses selected case-studies from the Eastern Roman Empire and the Latin
West, focusing mainly on the seventh to tenth centuries. It ends with
comparative reflections on the sociocultural function of these processions with
relics and on the methodological value—and limits—of comparison.
It is
striking that the two earliest known accounts of supplicatory processions with
relics in military settings are closely parallel despite their distinct
contexts, and that they allegedly took place only two years apart. Prokopios,
in his narrative of the Persian War, reports that Apamea (Syria) possessed a
fragment of the True Cross, enclosed in a precious reliquary for the protection
of relic and city. When Khosrow I approached Apamea with his army in AD 540,
the bishop led a procession with the fragment, and a miraculous flame appeared
above him. Although the city opened its gates, Khosrow accepted tribute and
spared Apamea from plunder, enslavement, and the loss of its relic. Prokopios’
narrative implies that divine protection followed the ritual display of the
relic.[1] Gregory of Tours (who wrote in the
late sixth century) offers a similar story about Zaragoza, besieged by the
Franks around AD 541-542. The local population performed a supplicatory
procession around the city walls, singing psalms and carrying the tunic of the
martyr Saint Vincent to seek intercession and protection. Gregory says that
when the Frankish troops learned what the townspeople were doing, they were so
frightened that they lifted the siege and withdrew. Even allowing for literary
and rhetorical shaping, the parallels remain suggestive.[2] The consideration of these two
narratives raises a series of questions: Were these authors describing already
widespread sixth-century practices? Is the close chronology coincidental? Or do
the narratives reflect a broader mid-sixth-century cultural transformation? To
approach these questions, two developments must be considered together: (1) the
belief in the protective power of relics; and (2) the emergence and spread of
Christian processional liturgy.
The Belief in Protective Relics
Christian veneration of relics, while shaped by
older Mediterranean traditions and cultural attitudes, emerged as a distinct and
rapidly expanding phenomenon in the late fourth century. Brown famously
described the cult of saints and relics as a cultural revolution of Late
Antiquity, and Wiśniewski has underlined the role of healings and exorcisms
associated with martyr shrines.[3] In the Christian tradition, the
physical remains of saints—bones, ashes, fragments—and contact objects such as
clothing or instruments of martyrdom retained a bond with the saint’s soul. Relics
were thus tangible points of contact between heaven and earth: not divine in
themselves, but sacred vessels through which God’s power was mediated.[4] An expanding repertoire of ritual
practices associated with Christian relics emerged from these premises,
including consecrations, oaths, healings, exorcisms, and—later— processions.[5]
Supplicatory
processions with relics presupposed a specific conviction: relics could operate
apotropaically, safeguarding individuals, communities, and places against
danger. This notion emerged between the late fourth and early fifth centuries.
Chrysostom describes saints’ bodies as a secure and unbreakable wall for the
city where they rest. Paulinus of Nola depicts relics of Andrew and Timothy in
Constantinople as twin towers, mirroring the protection of Peter and Paul in
Rome. Augustine remarks that Christians were disappointed because Rome’s relics
failed to prevent the sack of AD 410. Theodoret of Cyrus states that cities
venerated martyrs’ remains as “guardians and defenders.” Yet in most early
sources protection is imagined as passive: relics remain in situ, and
the saint’s supernatural guardianship is presumed to emanate from the saint’s
tomb rather than from a ritual mobilisation of a material object.[6]
Before
the sixth century, the closest parallel to a protective ritual involving a
relic appears in the pilgrim Egeria’s account regarding a Persian siege of
Edessa. In her narrative, the bishop prays at the city gate with the famous
letter of Christ preserved there, but the episode is exceptional and not
strictly a procession.[7] More generally, relics were usually
neither exposed nor moved. Saints protected cities from within their resting
places—for example, the fragment of the True Cross allegedly enclosed by
Constantine in the porphyry column of Constantinople.[8] This model remained common and
widespread well beyond Late Antiquity. The Miracles of Saint Demetrios
attributes multiple interventions to Demetrios’ relics, yet these were never
removed from under the altar of his church.[9] Middle Byzantine homilies likewise
present Constantinople’s relics as protecting city, ruler and empire.[10] In the Latin West, the notion that
patron saints protect the places where their relics rest is equally well
attested from the early fifth century into the early modern period.[11] The key question is therefore not
whether relics protected, but why communities began to take relics out of their
shrines and parade them in supplicatory processions.
Christian Processional Liturgy
From John Baldovin’s classic work to more
recent contributions by Lavan, Andrade, Wickham, and Brubaker, Christian
processional liturgy has been the object of various studies. Scholarship
broadly agrees that Christian processions emerged in the later fourth century
and spread rapidly in the fifth. Only a few were direct imitations of
pre-Christian precedents, such as the Roman adventus. Most developed
within the Mediterranean’s long-standing processional culture and were shaped
above all by Scripture, feast-days, and devotional practice. The frequency and
social significance of Christian processions had little precedent in classical
urban life.[12]
For
the purpose of this article, it is useful to distinguish between recurrent
processions tied to the liturgical calendar and extraordinary processions
organised ad hoc.[13] The latter can be subdivided into
(1) processions of thanksgiving, celebration, or commemoration – consecrations,
arrivals of prominent persons, receptions of relics—and (2) supplicatory
processions, penitential and protective in nature, performed in moments of
crisis: Drought, earthquake, famine, plague, invasion or siege.[14] Pre-Christian ritual offered
analogies—for example, the Roman Robigalia—and the Old Testament
provided several examples of ritualised movement, music, and prayer to summon
divine aid, such as the processions with the Ark of the Covenant.[15]
By
the mid-fifth century, evidence for Christian supplicatory processions becomes
clearer.[16] Constantinople organised
penitential processions after destructive earthquakes in AD 438 and 447.[17] In Gaul, Sidonius Apollinaris
describes rogationes instituted by Bishop Mamertus at Vienne (c. AD
462-471) in response to calamities, later adopted at Clermont (c. AD 474) amid
Visigothic incursions. These rituals—probably inspired both by pre-Christian
and Old Testament models—likely helped communities to transform fear and
uncertainty into a shared, visible response, strengthening cohesion and
leadership.[18] Yet these early sources do not
mention the involvement of relics in these processions.
The
earliest processions that clearly involved relics were instead celebratory
translations and receptions. Sozomen describes the translation of the body of
Meletius to Antioch (c. AD 381), carried with honours and psalmody through
cities in route. He also mentions a ceremony for the relics of John the Baptist
held in Constantinople (c. AD 391)[19]. Chrysostom notes a reception of
the relics of Saint Phocas (c. AD 403), while Socrates and Theodoret describe
the reception of Chrysostom’s relics (c. AD 438). These ceremonies likely drew
on the logic of the adventus: an honour once granted to emperors and,
from the third century, even to imperial portraits, extended in the mid-fourth
century to bishops and later to relics, understood as bearers of saintly
presence.[20]
Supplicatory Processions with Relics in the Byzantine World
Clear evidence for supplicatory relic
processions in the Eastern Roman Empire begins in the mid-sixth century,
alongside a broader use of relics by imperial and military elites. Evagrios
Scholastikos (c. AD 593) reports that the general Philippikos requested relics
of Symeon the Stylite to protect the eastern armies—an early instance of relics
being used as protection by a field army rather than a city.[21] Theophylact Simocatta describes
Emperor Maurikios displaying a fragment of the True Cross during the ceremony
for an army’s departure (c. AD 596-598), making him the first ruler clearly
attested using a Christian relic in a military context.[22]
In
the same decades, sources increasingly attest the use of acheiropoieta—images
“not made by human hands”—in ritual and sometimes processional settings,
especially in Palestine, Syria, and Anatolia. As secondary or contact relics,
these objects stand historically between the cult of relics and the later
veneration of icons.[23] Evagrios recounts that during the
Persian siege of Edessa in AD 544 a miraculous image of Christ was used in a
protective rite; this is usually identified with the Mandylion associated with
the Abgar legend.[24] Pseudo-Zachariah Rhetor (c. AD 568)
narrates the discovery of another miraculous image near the village of Camulia
in Cappadocia, later known as the Camuliana. After Diobulion (Pontus) was
destroyed by barbarians around AD 554, the locals carried the image in
procession across Asia Minor to raise funds for rebuilding the sanctuary.
Kitzinger once interpreted such displays through the lens of imperial portrait
cult and eschatological expectation, yet the narrative logic also fits a
supplicatory framework: Procession, penitence, and acts of expiation and appeal
for protection.[25]
Theophylact
Simocatta reports that at the battle of Solachon (AD 586) Philippikos unveiled
and displayed an acheiropoieton before the troops, strengthening morale
and courage through the object’s perceived divine power. He also notes that
Priskos later used the same object, unsuccessfully, to pacify mutinous
soldiers.[26] The eleventh-century chronicler
Kedrenos claims that Justin II transferred the Camuliana image to
Constantinople in AD 574; whether this is the same object later used by
Philippikos and Priskos is uncertain.[27] What is clear is that by the later
sixth century these relic-images and their ritual deployment had become
increasingly common.
The
most emblematic Constantinopolitan case is the Avar-Persian siege of AD 626.
With Emperor Herakleios campaigning in Persia, the patrician Bonos and
Patriarch Sergios organised the city’s defence. Sergios led a supplicatory
procession along the walls with an acheiropoieton of Christ.[28] A homily attributed to Synkellos
compares the image to the Ark of the Covenant and notes that images of the
Virgin and Child were painted on gates as protective amulets.[29] Multiple sources also credit the Virgin’s
intervention, especially through her church at Blachernae, where the Robe of
the Virgin was kept.[30]
Here
the Robe still functioned primarily as a static palladium, protecting
from within its sanctuary rather than being carried out.[31] Nevertheless, both George Pisides’
poetry and Synkellos’ homily emphasise the patriarch’s processional display of
the acheiropoieton, carried through streets and along walls, accompanied
by clergy and laity chanting psalms and prayers in the face of enemy forces.[32] Synkellos explicitly aligns Sergios
with Moses, the image with the Ark, and the siege with Israel’s wars.[33]
The
ritual likely drew on shared Mediterranean processional culture, local
precedents for penitential processions after disasters, circulating accounts of
comparable rituals (including Apamea), and Old Testament models. Scholarship
has shown how performative processions displayed authority, generate collective
memory, unify communities, and reinforce leadership in moments of crisis. In AD
626 the acheiropoietic image functioned both as apotropaic talisman and as a
performative emblem of patriarchal authority in the emperor’s absence.[34]
After
AD 626, references to similar rituals are scarce until the early eighth
century. This suggests that, although such practices existed from the mid-sixth
century, they were not yet fully consolidated by the mid-seventh. During the
Arab-Islamic conquests and Slavic incursions, sources continue to attribute
protection to saints and relics, but typically without describing relics
carried in supplicatory processions: relics again appear primarily as static palladia.[35] A new reference emerges with the
second Arab siege of Constantinople (AD 717-718). Byzantine chroniclers omit
the episode, likely because later iconophile authors wished to avoid depicting
Emperor Leo III (AD 717-741), later associated with Iconoclasm, as a pious
ruler.[36] The Armenian history attributed to
Łewond describes a penitential procession in which Leo III paraded a relic of
the True Cross through the city and towards the shore, an episode corroborated
by other sources.[37]
From
the mid-eighth to early eleventh centuries, testimonies of similar practices
multiply. Sources mention relic processions during the sieges of Thomas the
Slav (c. AD 822-823) and the Rus (AD 860), and a related ritual during the
Bulgarian crisis of AD 923.[38] Moreover, the lack of other
references does not imply the absence of such processions: as these practices
became customary, authors may have recorded them only when circumstances were
exceptional or when mentioning these rituals was ideologically or rhetorically
significant.[39]
A
notable ninth-century development is the mobilisation of the Marian relic of
Blachernae. The accounts of Thomas’ siege report that Michael II ordered his
son Theophilos to lead a procession carrying a fragment of the True Cross and
the Robe of the Virgin from Blachernae.[40] Photios, preaching on the Rus’
assault, depicts the Robe embracing the walls and prompting the enemy’s sudden
flight.[41] The Chronicle of the Logothete
records a ritual strikingly similar to that described for AD 717-718 for the
Rus attack of AD 860. The same source mentions later another significant
episode: Romanos Lekapenos clothed himself in the Robe of the Virgin as a kind
of armour when negotiating with Simeon I of Bulgaria outside the walls.[42]
Relics
also featured in responses to disasters. The procession linked to the
earthquake of AD 740—or to the repair of collapsed wall sections—mentioned in
the Parastaseis syntomoi chronikai and depicted in the Menologion of
Basil II, likely involved a reliquary cross containing a fragment of the
True Cross.[43] Skylitzes reports that during a
drought around AD 1037, Michael IV processed from the palace to Blachernae with
the Mandylion, the Letter of Christ to Abgar, and Christ’s swaddling bands; the
first two were major relics recently acquired by rulers of the previous
century.[44]
Finally,
the Book of Ceremonies attests an annual apotropaic circuit of the True
Cross (28 July-13 August), explicitly linked to the sanctification of the city
and its defences: “The cross begins on July 28th to go around and to sanctify
every place and every house of this God-guarded and Imperial City, but
especially the walls themselves, so that both his City and the whole area around
it are filled with grace and holiness.” There are good reasons to think this
feast emerged in the seventh or eighth century as a ritual response to
invasions, sieges, or natural disasters.[45]
Taken
together, these testimonies point to a gradual shift from relics as passive
protectors to relics as mobile ritual instruments. This shift did not eliminate
the older belief that mere presence protects, and it did not unfold uniformly
across the empire. Tenth-century translation homilies still stress the peace
and stability conferred simply by relics dwelling in Constantinople.[46] Local divergence mattered.
Thessaloniki appears reluctant to bring out and display Demetrios’ relics,
developing instead practices centred on the myrrh drawn from the saint’s tomb.[47] Skylitzes reports that when
Bulgarians besieged Thessaloniki in AD 1040, locals held a night vigil at
Demetrios’ tomb and anointed themselves with the sacred myrrh; then they opened
the gates and defeated the besiegers, with witnesses seeing “a young horseman
leading the Roman ranks, exuding a fire which burnt up the enemies.[48]”
Between
the twelfth and fifteenth centuries, Byzantine supplicatory processions with
relics continued, and from roughly the mid–tenth century icons of the Theotokos
increasingly assumed similar commemorative and apotropaic functions. By the
twelfth century the icon of the Virgin Hodegetria—treated in tradition as a
secondary relic painted by Saint Luke—became Constantinople’s principal palladium
until its destruction in 1453. Epithets long applied to relics, such as
“invincible weapons,” “fellow-generals,” were increasingly applied in Byzantium
to Marian icons.[49]
Processions with Relics in the Latin West
The belief in the protective power of relics,
and the development of Christian processional liturgy, emerged across the
Mediterranean world between the late fourth and early fifth centuries. Paulinus
and Augustine show that apotropaic expectations were not confined to the “East.[50]” Rogationes appear in Gaul
by the later fifth century, but there is no evidence of relics involvement in
these early rituals.[51] The first known supplicatory
procession with relics in the West is Gregory of Tours’ story about Zaragoza.[52]
Gregory’s
wider corpus illustrates how thoroughly relic power permeated late sixth-century
imagination. He recounts various protective miracles associated with Martin of
Tours and describes how a medallion containing saints’ ashes protected him and
his family from bandits, fires, storms, and other hazards.[53] He describes placing wax from a
candle burned at Martin’s tomb (a contact relic) in a vine to protect it from
hail.[54] Yet it is striking that, beyond Zaragoza,
Gregory offers only one other clear example of a supplicatory procession with
relics: in Glory of the Confessors he describes a plague procession at
Reims involving a cloth (palla) that had covered the tomb of Saint
Remigius.[55] This pattern suggests a practice
that existed but was not yet ubiquitous: relics still tended to operate mainly
as stationary focus of protection.[56]
As in
the East, celebratory relic processions were also known in the West. Gregory
mentions a procession for the restoration to Orbigny of relics of Vincent that
had been unlawfully removed.[57] By the second half of the seventh
century, processions with relics were common enough in Hispania to attract
ecclesiastical regulation: a canon of the Third Council of Braga (AD 675)
forbids bishops, on martyrs’ festivals, to be carried by deacons while seated
in chairs with relics hanging around their necks, as if the bishops themselves
were reliquaries. The canon implies that carrying relics on foot was the proper
practice.[58]
A
Frankish hagiography, the Passio Leudegarii (c. AD 680-684), provides an
example of a procession during a siege. When Ebroin’s forces, led by Bishop
Diddo of Chalon, besieged Autun around AD 675-676, Bishop Leudegar mobilised
the townspeople, proclaimed a three-day fast, and carried relics of unnamed
saints around the circuit of the walls, stopping at each gate for prayers of
supplication.[59] Unlike Gregory’s Zaragoza story,
the narrative treats the rite as conventional – one of many expressions of
Leudegar’s piety during the siege—suggesting that such rituals were probably
becoming more common in the Latin West during the seventh century.[60]
Eighth-century
Rome offers another key case, notable for its focus. The Liber Pontificalis
reports that after repeated Lombard threats against Rome, Pope Stephen II
organised a barefoot penitential procession to Santa Maria Maggiore, carrying
an acheiropoietic image and, possibly, other relics (sacra mysteria)[61]. The context was not a proper
siege, but it sought protection against imminent invasion and resembles
Byzantine uses of miraculous images. The image is commonly identified with the acheiropoieton
preserved in the Lateran Sancta Sanctorum. Late Roman traditions linked it to
Byzantine Iconoclasm, but scholars such as von Dobschütz and Belting argued
instead for a Roman origin between the late sixth and mid-seventh centuries,
when references to miraculous images spread widely in the Mediterranean; the Liber
Pontificalis passage is the earliest explicit textual reference of this
object.[62]
Whether
or not the image came from Byzantium, the performance of a supplicatory
procession with an acheiropoieton can be contextualised within Rome’s
mid-eighth-century position within what may be described as a Byzantine sphere
of influence.[63] Papal-patriarchal correspondence
referenced earlier sieges of Constantinople, and it is plausible that Roman
ritual imagination was shaped by stories circulating about Constantinopolitan
processions during the Avar-Persian and Arab sieges.[64] At some point between the seventh
and ninth century, the Roman image began to be carried regularly in procession
on the Assumption (15 August). The Liber Pontificalis also suggests
later use—for example, under Leo IV (AD 847-855), who processed against a
plague allegedly caused by a basilisk.[65]
From
the late ninth and tenth centuries, references to relic processions during
sieges increase in the Frankish kingdoms. Abbo of Saint-Germain’s poem Bella
Parisiacae Urbis suggests that during the Viking siege of Paris in AD
885-886, Genevieve’s relics were carried in procession around the walls to
invoke her intercession.[66] This likely drew on two strands of
memory: a sixth-century Vita in which Genevieve saves Paris from
Attila’s Huns (in AD 451) through fasts and vigils, and a ninth-century miracle
collection describing the removal of Genevieve’s relics during an earlier
Viking raid (probably AD 845) that pillaged and burned her church, followed by
miracles during their exile and a celebratory restoration procession.[67]
Radbod
of Utrecht, in the Miracles of Saint Martin of Tours, reports that
during the Viking siege of Tours in AD 903, Martin’s relics were taken from the
tomb in a small chest-reliquary and carried in procession around walls and
gates. After prayers and supplications, defenders’ courage increased and the
besiegers were struck with confusion and terror, abandoning the siege.[68] Here, as in Constantinople and
Paris, one can observe a transition from static to mobile protection. Saint
Martin had long been imagined as Tours’ protector, for instance in Gregory of
Tours’ writings, but Radbod offers the first clear report of Martin’s relics
being removed and carried in a procession, a development closely comparable to
the ninth-century Byzantine mobilisation of the Virgin’s Robe.[69]
By
the tenth century, processions with relics and related protective rites during
sieges, disasters, and other calamities seem to have become widespread across
the Euro-Mediterranean world, remaining customary into the later Middle Ages
and early modern period.[70] The aim here is not exhaustive
enumeration, but to use comparative cases to draw preliminary conclusions about
origins, development, and function.
Conclusions
First, although the evidence is limited,
supplicatory processions with Christian relics appear to have emerged broadly
in parallel in the Eastern Mediterranean and the Latin West. Apart from
possible Byzantine influence on Roman processions with acheiropoietic images,
there is little sign of direct imitation. Comparable practices instead
developed from shared Late Antique foundations: belief in relics’ protective
power, the processional character of Christian liturgy, and Old Testament
models.
Second,
evidence between the sixth and eighth centuries is scarce and scattered,
implying a gradual shift from relics as largely passive, static palladia
to relics as portable and ritualised talismans. The Robe of the Virgin at
Blachernae and Martin’s relics at Tours exemplify this shift: both were long
believed to protect their cities from within their sanctuaries, yet later
appear in supplicatory processions during sieges in the ninth and tenth
centuries. What prompted the transformation, how widespread it became, and
whether it was confined to especially prominent cities and relics remain
uncertain. A plausible mechanism is narrative circulation: stories that
attributed salvation to relics or holy images in earlier crises encouraged
later communities to integrate such objects into established rites of
supplication. Another plausible factor is the growing prominence of relics in
other processional contexts— regular liturgical processions, thanksgiving
rites, and translations—providing ritual templates that could be reactivated in
emergencies.
The
cases of Blachernae and Genevieve’s relics show how narrative, commemoration,
and ritual could reinforce one another. In Constantinople, the Robe was removed
from Blachernae in AD 623 during an Avar raid and later restored with
thanksgiving. In AD 626 the relic itself was not processed, but the destruction
of the Avar fleet at Blachernae generated an influential interpretation: The
Virgin punished impious barbarians for offences against her sanctuary and city.
This meaning circulated widely in chronicles, homilies, and poetry, reinforced
by liturgical commemoration, consolidating the Virgin—and her relic at
Blachernae—as the city’s guardian. When besieged again in the ninth century,
including the now-famous Robe in a supplicatory procession likely appeared
natural. In Paris, Genevieve’s reputation as protectress initially developed
through narratives of her life rather than through public relic ritual; the
removal of her relics in a Viking raid (c. AD 845) generated miracles and
strengthened the association between relic and protection, making a
supplicatory relic procession in 885-886 a plausible and “logical” action.
Yet
other cases, such as Thessaloniki, where Demetrios’ relics were apparently not
processed (at least before the twelfth century), despite his role as military
guardian, demonstrates that the rise of supplicatory relic processions was not
universal. Local ritual traditions mattered, and communities could cultivate
alternative ways of materialising saintly protection (such as Demetrios’ myrrh).
More broadly, the increasing public use of relics in civic life should be read
as one expression among several of the gradual processes of Christianisation,
sacralisation, and “liturgification” of Euro-Mediterranean societies between
the sixth and eleventh centuries.[71]
Third,
comparison helps to clarifies sociocultural function. Scholarship has often
interpreted the military use of relics as evidence for an ideology of holy war.
The cases discussed here complicate that reading. Processions with relics occur
in conflicts between Christian polities (Franks besieging Zaragoza) and in
episodes that resemble civil war or internal conflict (Thomas the Slav; the
siege of Autun). Even when besiegers were non-Christian (Avars, Vikings), their
religious identity is rarely emphasised and is not consistently linked to the
ritual action. These rituals were oriented primarily inward: they sought
intercession and divine help in moments of acute danger, within a cosmology
where relics mediated miraculous power. In this respect, siege processions
resemble processions organised in response to earthquakes, drought, hail, or
plague. In both contexts communities faced hazards that seemed beyond human
control. Processions offered a way to seek divine assistance while reaffirming
cohesion and collective identity. By moving, praying, and gathering around
revered relics, participants expressed dependence on God and recognised
themselves as a unified community acting together.
Within
these rituals relics functioned as powerful focal points of attention and as
markers of collective identity. Recent work by archaeologists and
anthropologists has elaborated the notion of “charismatic objects,” drawing
from the theory of the agency of things, Walter Benjamin’s concept of “aura,”
and Max Weber’s idea of “charisma.” Following Marianne Vedeler and Martin
Radermacher, “charismatic objects” are material items that, given a particular
cosmological frame, are endowed with agency and the ability to cast an aura of
extraordinary power, reverence, and awe. Radermacher has argued that this
concept can be applied to Christian relics, understood as the authentic
remnants of holy figures, to which powers are attributed and reverence is
given.[72]
In
supplicatory processions relics acted as visible and tangible centres around
which communal prayer, movement, and emotion were organised. Their material
presence focused attention, structured collective action, and embodied shared
expectations of divine protection. In that sense, relics functioned not only as
objects of devotion but also as ritual instruments that helped communities
recognise themselves as unified bodies in moments of crisis, transforming
uncertainty into socially usable forms of resilience or action.
The
concept of charismatic objects also foregrounds the interplay between object,
narrative, and power. Vedeler writes: “These [charismatic] objects are carriers
of collective narratives that help to stabilize, maintain, and create community
and relationships of power,” while Radermacher observes that “just like the
communications around an object are powerless without the object, the object is
powerless without these narrations. Both mutually enhance their respective
socio-cultural agency.[73]” Stories of relic processions that
saved cities from sieges or communities from calamities circulated in
chronicles, poems, and sermons, were reinforced by commemorative feasts, and
shaped expectations for future crises. These narratives did not merely record
ritual action; they gave it meaning, intensified its efficacy in social terms,
and helped consolidate both the cult of particular relics and the identities of
the communities gathered around them.
Overall,
the aim of this article has been to contribute to a better understanding of the
ritual use of Christian relics in the Middle Ages and, more broadly, of the
relationship between material culture, religious beliefs, ritual practices, and
social narratives in premodern societies. I think it also shows the value of a
comparative perspective that moves beyond the traditional boundaries of
Byzantine and medieval studies to consider the different societies of the
medieval Euro-Mediterranean world. Finally, I hope this article may help open
new comparative avenues for the study of sacred objects beyond the Christian
Mediterranean, including Eastern Europe, the Islamic world, and more distant
settings such as Central Asian Buddhism—with its own distinctive cult of
relics—as well as India, China and other regions.
[1] PROCOPIUS OF CAESAREA, Bella, I.11, edited by Jacob HAURY and
Gerhard WIRTH, Leipzig, B. G. Teubner, 1962-1964, vol. I, pp. 198-202.
[2]
GREGORY OF TOURS, Historiae, III.29, edited by
Bruno KRUSCH and Wilhelm LEVISON, Gregorii Turonensis Opera, Libri
historiarum X, MGH, SS rer. Merov. 1,1, Hannover, Hahn, 1951, pp. 125-126.
[3]
The veneration of Christian relics was connected to
earlier traditions such as the ancient cult of the heroes and ancestors, the Jewish
veneration of prophets, and various amuletic practices of the ancient
Mediterranean, but it was essentially a new cultural phenomenon: Peter BROWN, “The Rise and function of the Holy Man
in Late Antiquity”, The Journal of Roman Studies, 61 (1971), pp. 80-101;
The cult of the saints: Its Rise and Function in Latin Christianity,
London, SCM Press, 1981, pp. 1-21; Arnold ANGENENDT, Heiligen und Reliquien:
Die Geschichte ihres Kultes vom Frühen Christentum bis zum Gegenwart,
München, Beck, 1994, pp. 149-166; Andreas HARTMANN, Zwischen Relikt und
Reliquie: objektbezogene Erinnerungspraktiken in antiken Gesellschaften,
Berlin, Verlag Antike, 2010; Robert WIŚNIEWSKI, The Beginnings of the Cult of Relics, New York, Oxford
University Press, 2019, pp.
8-69.
[4]
BROWN, op. cit., pp. 1-21; ANGENENDT, op. cit., pp.
1-14; 149-166; Cynthia HAHN and Holger A. KLEIN, “Introduction”; Julia SMITH,
“Relics, an Evolving Tradition in Latin Christianity”, in Cynthia HAHN and
Holger A. KLEIN (ed.), Saints and Sacred Matter. The Cult of relics in
Byzantium and Beyond, Washington D.C., Dumbarton Oaks Research Library and
Collection, pp. 1-12, 41-60
[5]
Also in ritual practices such as the “humiliation of
relics” and various others, see: Patrick GEARY, Furta
Sacra: Thefts of Relics in the Central Middle Ages, Princeton, Princeton University Press, 1978;
“Humiliation of Saints”, in Living with the Dead in the Middle Ages, New
York, Cornell University Press, 1994, pp. 95-125; Arnold ANGENENDT, “Holy
Corpses and the Cult of Relics”, in Marika RÄSÄNEN et al., Relics, Identity,
and Memory in Medieval Europe, Turnhout, Brepols, 2015, pp. 13-20.
[6]
JOHN CHRYSOSTOM, In Martyres Aegyptios, 1,
26-28, 694, edited by Pauline ALLEN and Nathalie RAMBAULT, Sources
Chrétiennes 595, Paris, du Cerf, 2018; PAULINUS OF NOLA, Carmen 19,
142-143, edited by Franz DOLVECK, Corpus Christianorum, Series Latina 21,
Turnhout, Brepols, 2015; AUGUSTINE, Sermo 296, Patrologia Latina 38,
cols. 1359-1365; THEODORET OF CYRRHUS, Graecarum affectionum curatio,
VIII.10.6-8, edited by Pierre CANIVET, Sources Chrétiennes 57, Paris, du
Cerf, 1958; WIŚNIEWSKI, op. cit., pp. 48–69.
[7] EGERIA, Itinerarium, XIX. 8-19, edited by Kai BRODERSEN, Sammlung
Tusculum, Berlin-Boston, De Gruyter, 2016,
pp. 148-152.
[8]
John WORTLEY, “The Legend of Constantine the
Relic-provider”, in Studies on the cult of relics in Byzantium up to 1204,
Farnham, Ashgate, pp. 487-96; Holger A. KLEIN,
“Constantine, Helena, and the Cult of the True Cross in Constantinople”, in Jannic DURAND and Bernard FLUSIN, Byzance et Les Reliques Du
Christ, Paris, Centre de recherche d’Histoire et Civilisation de Byzance,
2004, pp. 31-59; WIŚNIEWSKI, op. cit., pp. 64-65.
[9] Paul LEMERLE, Les plus anciens recueils des miracles de Saint
Démétrius, et la pénétration des Slaves dans les Balkans, Paris, Editions
du Centre National de la Recherche Scientifique, 1979.
[10] Ioli KALAVREZOU, “Helping Hands for the Empire: Imperial
Ceremonies and the Cult of Relics at the Byzantine Court”, in Henry MAGUIRE
(ed.), Byzantine Court Culture from 829 to 1204, Washington, DC,
Dumbarton Oaks Papers 50, 1997, pp. 53-79; Mark GUSCIN, “The Narratio De Imagine Edessena
Attributed to Constantine Porphyrogenitus”, in The Image of Edessa,
Leiden, Brill, 2009, pp.
43-87.
[11]
Gregory of Tours describes numerous instances where
the saints protected the region around their shrines, in particular Saint
Martin, patron and guardian of Tours. In Paris, Saint
Genevieve was likewise revered as protectress of the city from the early Middle
Ages to the early modern period. In Northumbria (England)
and Compostela
(Spain), Saint Cuthbert and Saint James were also conceived as guardians of the regions—and later, countries—where their relics rested, and numerous other similar cases can be found throughout Latin Christendom: BROWN, op.
cit.; Gerald BONNER et al., St. Cuthbert, His Cult and His Community to AD
1200, Suffolk, Boydell Press, 1989; Raymond VAN DAM, Saints
and Their Miracles in Late Antique Gaul, Princeton, Princeton University Press, 1993; Moshe SLUHOVSKY, Patroness
of Paris. Rituals of Devotion in Early Modern France. New York, Brill,
1997; Jan VAN HERWAARDEN, Between Saint James and Erasmus. Leiden,
Brill, 2003, pp. 451-505.
[12]
John F. BALDOVIN, The Urban Character Of Christian Worship: The Origins, Development,
and Meaning Of Stational Liturgy, Rome, Pontifico Institutum Studiorum
Orientalium, 1987; Nathanael ANDRADE, “The Processions of John Chrysostom and
the Contested Spaces of Constantinople”, Journal of Early Christian Studies,
18 (2010), pp. 161-189; Luke LAVAN, Public Space in the Late Antique City,
Leiden, Brill, 2021; Leslie BRUBAKER and Chris WICKHAM, “Processions, Power,
and Community Identity: East and West”, in Walter POHL (ed.), Empires and
Communities in the Post-Roman and Islamic World, c. 400-1000 CE, New York,
Oxford University Press, 2021, pp. 121-187.
[13] The classification of Christian processions has been the subject of
considerable debate within modern scholarship.
Recurrent processions could form part of a wider
system: a “stational liturgy”,
where the principal mass of the day would be celebrated by the bishop or his representative in different churches
within the city on specific days of an established liturgical calendar: BALDOVIN, op. cit., pp.
35-37; LAVAN, op. cit., pp. 214-217.
[14]
LAVAN, op. cit., pp. 217-218; BRUBAKER and WICKHAM,
op. cit., pp. 182-187.
[15] For instance, the famous procession of the Ark of the Covenant that
brings about the destruction of the walls of Jericho (Joshua 6:1-20), the
celebratory procession transferring the Ark to Jerusalem (2 Samuel 6:1-15; 1
Chronicles 15:16-28), or the chanting
procession led by King Jehoshaphat of Judah at the head of his army to invoke
divine assistance in war (2 Chronicles 20:20-23).
Regarding pre-Christian rituals: Howard Hayes SCULLARD, Festivals and Ceremonies of the Roman Republic, London, Thames
and Hudson, 1981, pp. 21-30; 85-86; Walter BURKERT, Greek Religion,
Cambridge, Mass, Harvard University Press, 1985, pp. 77-80; 99–103; Diane
FAVRO, “The festive experience: Roman processions in the urban
context” in Sarah BONNEMAISON and Christine MACY (eds.), Festival Architecture, London, Routledge, 2007, pp. 11-42; LAVAN, op.
cit., 206-234.
[16]
Apart from the case described by Egeria concerning Edessa,
there is a possible reference to a penitential ritual (sackcloth, ashes, and
prayer) during the Persian siege of Nisibis in AD 359, in a hymn attributed to
Ephrem the Syrian. Although the reference is rather obscure and ambiguous, the
author seems to imply that the city was saved through penitence: Charles RENOUX (trad.), Éphrem de Nisibe. Mēmrē sur Nicomédie, Turnhout, Brepols, 1975, hymn XV, 113, pp.
317-318. John Chrysostom, in turn, describes more clearly
processions that were held in
Constantinople around AD 399 after the crops had been damaged by storms: MIGNE PG 56, 263-270; Wendy MAYER, Homilies of St John
Chrysostom: Provenance, Reshaping the Foundations, Rome, Pontificium
Institutum Orientalium Studiorum., 2005, pp. 95-96; LAVAN, op. cit., pp.
217-218.
[17]
CHRONICON PASCHALE, 586.6,
edited by Ludwig DINDORF, Corpus Scriptorum Historiae Byzantinae, Bonn,
Weber, 1832; THEOPHANES CONFESSOR, Chronographia, 93, edited by Carl DE
BOOR, Leipzig, B. G. Teubner, 1883-1885; SYNAXARIUM ECCLESIAE
CONSTANTINOPOLITANAE, 78.18, edited by Hippolyte DELEHAYE, Brussels,
Société des Bollandistes, 1902; Glanville DOWNEY, “Earthquakes at
Constantinople and Vicinity, A.D. 342-1454.” Speculum, 30, 4 (1955), pp.
596-600; Brian CROKE, “Two Early Byzantine Earthquakes and Their Liturgical
Commemoration”, Byzantion, 51 (1981), pp. 122-147; LAVAN, op. cit.,
pp. 217-218; BRUBAKER and WICKHAM, op. cit., pp. 121-153.
[18] SIDONIUS APOLLINARIS, Epistulae, VII.1.2–-7, edited and
translated by William Blair ANDERSON, Loeb Classical Library 420,
Cambridge, MA, Harvard University Press, 1965, pp. 286-291; Sidonius (Epistulae, VII.1.3) explicitly refers to the example of Nineveh, alluding
to the penitential rituals described in Jonah 3:5–6,
as a model for the Christian rogationes held in Vienne and Clermont.
[19]
SOZOMEN, Historia Ecclesiastica, VII.10 and 21,
edited by Joseph BIDEZ and Günther Christian HANSEN, Die griechischen
christlichen Schriftsteller 50, Berlin, Akademie-Verlag, 1960.
[20] JOHN CHRYSOSTOM, In martyrem Phocam, Patrologia Graeca 50, cols.
699-700; SOCRATES SCHOLASTICUS, Historia Ecclesiastica, VII.45, edited
by Günther Christian HANSEN, Die griechischen christlichen Schriftsteller 38,
Berlin, Akademie-Verlag, 1995; THEODORET OF CYRRHUS, Historia Ecclesiastica,
V.36, edited by Leon PARMENTIER and Günther Christian HANSEN, Die
griechischen christlichen Schriftsteller 44, Berlin, Akademie-Verlag, 1998;
LAVAN, op. cit., pp 156-157.
[21]
EVAGRIUS SCHOLASTICUS, Historia Ecclesiastica,
I.13, edited by Joseph BIDEZ and Léon PARMENTIER, Corpus Christianorum,
Series Graeca 44, Turnhout, Brepols, 2001. While
the historicity of the request is uncertain, its narrative plausibility
suggests that by the late sixth century, the notion of using relics for the
protection of armies already existed and was becoming accepted.
[22] THEOPHYLACT SIMOCATTA, Historiae, V.16.11-12, edited by Carl DE
BOOR, Leipzig, B. G. Teubner, 1887; Anatole FROLOW,
La relique de la Vraie Croix. Recherches sur le développement d’un culte,
Paris, Institut Français d’Études Byzantines, 1961, p. 79;
Holger A. KLEIN, Byzanz, der Westen und das »wahre« Kreuz. Die Geschichte
einer Reliquie und ihrer künstlerischen Fassung in Byzanz und im Abendland,
Wiesbaden: Reichert, 2004; Holger A. KLEIN,
“Constantine, Helena, and the Cult of the True Cross in Constantinople”, in
Jannic DURAND and Bernard FLUSIN (ed.), Byzance et les reliques du Christ,
Paris, Centre de Recherche d’Histoire et Civilisation de Byzance, 2004, pp.
31-59; Joaquín SERRANO DEL POZO, “The Cross-standard of Emperor Maurice
(582-602)”, Diogenes, 11 (2021), pp. 1-17; Michał PIETRANIK, “Saints and
Sacred Objects in Eastern Roman Imperial Warfare. The Case of Maurice (582-602)”, in Robert WIŚNIEWSKI, Raymond VAN DAM and Bryan WARD-PERKINS (eds.),
Interacting with Saints in the Late Antique and Medieval Worlds, Turnhout,
Brepols, 2023, pp. 229-247.
[23] Ernst KITZINGER, “The Cult of Images in the Age before Iconoclasm”, Dumbarton
Oaks Papers 8, Washington D.C., Dumbarton Oaks Trustees for Harvard
University, 1954, pp. 83-150; Leslie BRUBAKER, “Icons before Iconoclasm?”, in Morfologie
sociali e culturali in Europa tra tarda Antichità e alto Medioevo,
Settimane di studio del Centro Italiano di Studi sull’Alto Medioevo XLV,
Spoleto, Centro Italiano di Studi sull’Alto Medioevo, 1998, pp. 1215-1254;
Bissera V PENTCHEVA, “What Is a Byzantine Icon? Constantinople
versus Sinai,” in Paul STEPHENSON
(ed.), The Byzantine World, New York, Routledge, 2010, pp. 265-283; Alexei M LIDOV,
“Icons Made of Relics: Creating Holy Matter in Byzantium”, RES: Anthropology and Aesthetics, 75/76, Chicago, University of Chicago Press, 2021, pp. 91-100; Serrano DEL POZO,
“Sacred Images At War”, Eventum, in press (2026).
[24] EVAGRIUS SCHOLASTICUS, Historia Ecclesiastica, IV.27, pp.
174-176; Steven RUNCIMAN,
“Some Remarks on the Image of Edessa,” Cambridge Historical Journal, 3,
3 (1931), pp. 238-252;
KITZINGER, op. cit., pp. 83-150; Averil
CAMERON, “The History of the Image of Edessa: The Telling of a Story,” Harvard
Ukrainian Studies, 7 (1983), pp. 80-94; Mark GUSCIN, The Image of Edessa, Leiden, Brill, 2009, pp. 165-176.
[25] PSEUDO-ZACHARIAH RHETOR, Chronicle, XII, edited by Geoffrey
GREATREX, Liverpool, Liverpool University Press, 2011, pp. 425-427; KITZINGER, op. cit., pp. 99-100.
[26] THEOPHYLACT SIMOCATTA, Historiae, II.3.4-9; III.1.7-12.
[27]
KEDRENOS, Compendium Historiarum, edited by
Immanuel BEKKER, Bonn, Weber, 1838, pp. 685–686;
Ernst von DOBSCHÜTZ, Christusbilder: Untersuchungen
zur christlichen Legende, Leipzig, J. C. Hinrichs’sche Buchhandlung, 1899, p. 18; KITZINGER, op. cit., p. 111.
[28]
Norman H. BAYNES, “The
Supernatural Defenders of Constantinople,” Analecta Bollandiana, 67
(1949), pp. 165-177; Franjo
BARIŠIĆ, “Le Siège de Constantinople par les Avares et les Slaves en 626,” Byzantion,
24 (1954), pp. 371-395; Averil CAMERON, “The Virgin’s Robe: An Episode in the History of Early
Seventh-Century Constantinople,” Byzantion, 49 (1979), pp. 42-56; Paul SPECK, Zufälliges zum Bellum Avaricum des Georgios
Pisides, Munich, Institut für
Byzantinistik, Neugriechische Philologie und Byzantinische Kunstgeschichte der
Universität, 1980; James
HOWARD-JOHNSTON, “The Siege of Constantinople in 626,” in Cyril MANGO and
Gilbert DAGRON (eds.), Constantinople and its Hinterland, Aldershot,
Ashgate, 1995, pp. 131-142; Bissera V. PENTCHEVA, “The
Supernatural Protector of Constantinople: The Virgin and Her Icons in the
Tradition of the Avar Siege,” Byzantine and Modern Greek Studies, 26
(2002), pp. 1-41; José
MARÍN RIVEROS, “Bizancio en el siglo VII: entre historia y profecía. Notas en
torno a los sucesos del año 626”, Byzantion Nea Hellás, 30 (2011), pp.
41-73; Martin HURBANIČ, The Avar Siege of Constantinople in 626: History and
Legend, Cham, Palgrave Macmillan, 2019; Michael WHITBY, “Theodore Syncellus
and the 626 Siege of Constantinople,” Electrum, 29 (2022), pp. 285-300.
[29] THEODORE SYNCELLUS, Homily on the Siege, 15-17, edited by Leo
STERNBACH, Kraków, Analecta Avarica, 1900; HURBANIČ, op. cit., pp. 181-338;
WHITBY, op. cit., pp. 285-300.
[30] CHRONICON PASCHALE, p. 725; GEORGE OF PISIDIA, Bellum Avaricum,
edited by Agostino PERTUSI, Vatican City, Biblioteca Apostolica Vaticana, 1959,
pp. 453-455; THEODORE SYNCELLUS, Homily on the Siege, pp. 24-33, 52. Regarding this sanctuary: Raymond JANIN, Les
Églises et les Monastères des grands centres byzantins, Paris, Institut
français d’études byzantines, 1951, pp. 161-171;
Annemarie Weyl CARR, “Soros,” The Oxford Dictionary of Byzantium,
Oxford, Oxford University Press, 1991; Cyril A. MANGO, “The Origins of the
Blachernae Shrine at Constantinople,” Acta XIII Congressus Internationalis
Archaeologiae Christianae, Vaticano, Pontificio Istituto di Archeologia
Cristiana, 1998, pp. 61-76; Henry MAGUIRE, “Body,
Clothing, Metaphor: the Virgin in Early Byzantine Art”, in The Cult of the
Mother of God in Byzantium: Texts and Images, London, New York, Routledge, 2016, pp. 39-51.
[31]
From the perspective of the Byzantine sources, it was the Blachernae church itself—conceived as a grand reliquary—that
focused the supernatural aid of the Theotokos, summoning her intercession and
triggering the Avar fleet’s destruction. This notion likely arose from the
conjunction of two events: in AD 623, the Robe had to be temporarily removed
from this sanctuary due to an
Avar raid, and during the siege of AD 626, the Avar fleet sank near the sanctuary. For the Constantinopolitans, it must have seemed
self-evident that the Virgin was punishing the attackers for their repeated
threats and offences against her holy sanctuary and relic: CARR, “Soros,” op.
cit.; HURBANIČ, op. cit., pp.
153-164.
[32] GEORGE OF PISIDIA, Bellum Avaricum, pp. 366-379; THEODORE SYNKELLOS, Homily of
the Siege, 15-17.
[33] THEODORE SYNCELLUS, Homily of the Siege, 15-17; MARÍN RIVEROS, op.
cit., pp. 41-73; WHITBY, “Theodore Syncellus and the 626
Siege of Constantinople”, pp. 285-300.
[34] Leslie BRUBAKER, “Topography and the Creation of Public Space in Early
Medieval Constantinople,” in Mayke DE JONG, Frans THEUWS and Carine VAN RHIJN
(eds.), Topographies of Power in the Early Middle Ages, Leiden-Boston,
Brill, 2001, pp. 42-43; Rebecca
FALCASANTOS, Constantinople: Ritual, Violence, and Memory in the Making of a
Christian Imperial Capital, Oakland (CA), University of California Press,
2020, pp. 15-45; Lavan, op. cit., p. 225; Brubaker and Wickham, op. cit., pp.
121-182.
[35] Paul LEMERLE, Les plus anciens recueils des miracles de saint
Démétrius et la pénétration des Slaves dans les Balkans. I: Le texte, Paris, Éditions du
Centre national de la recherche scientifique, 1979,
pp. 120-241; John HALDON, A Tale of Two Saints: The Martyrdoms
and Miracles of Saints Theodore “the Recruit and ‘the General”, Liverpool,
Liverpool University Press, 2016, pp. 20-57.
[36]
The first to argue this was Stephen Gero, an idea later
supported by other scholars such as Marić, Haldon and Brubaker: Stephen GERO, Byzantine Iconoclasm During the Reign
of Leo III: With Particular Attention to the Oriental Sources, Louvain,
Secrétariat du Corpus SCO, 1973, pp. 32-43; Leslie BRUBAKER and John HALDON, Byzantium in the Iconoclast Era, c.
680-850: A History, Cambridge, Cambridge University Press, 2011, pp. 69-155; Ivan MARIĆ, Iconoclast
Imperial Authority and Its Contested Legacy: from the Arab Siege (717/18) until
the Death of Michael III (867), Doctoral thesis, University of Edinburgh,
2021, pp. 7-60.
[37] The main source describing the procession is the Armenian chronicle of
Łewond. For other sources that offer indirect evidence supporting the
historicity of the procession, see the bibliography in the preceding note: ŁEWOND, History, 24–26, edited by Sergio LA
PORTA and Alison M. VACCA, Chicago, Institute for the Study of Ancient Cultures,
2024, pp. 208-213.
[38] For the siege of Thomas: GENESIOS, On the Reigns of the Emperors,
II.5.55-61, edited by Anthony KALDELLIS, Canberra, Australian Association for
Byzantine Studies, 1998, pp. 34-35; THEOPHANES CONTINUATUS, Chronographia,
II.59.14, edited by Michael FEATHERSTONE and Juan SIGNES-CODOÑER, Turnhout,
Brepols, 2015, pp. 88-89; For the attack of the Rus of Kiev: PHOTIUS, Homily
IV, 2, 41-42, edited by Cyril MANGO, Cambridge, MA, Harvard University
Press (Dumbarton Oaks), 1958, pp. 102-103; CHRONICLE OF THE LOGOTHETE, 131.30,
edited by Staffan WAHLGREN, Corpus Fontium Historiae Byzantinae 44, New
York, De Gruyter, 2006. For the Bulgarian siege of AD 923: CHRONICLE OF THE
LOGOTHETE, 136:32.
[39] For instance, the procession during the Second Arab Siege is omitted by
iconodule Byzantine chroniclers such as Theophanes and Patriarch Nikephoros,
whereas the procession held during the siege of Thomas the Slav is mentioned by
later writers, possibly because they relied on an imperial panegyric that
exalted Michael II—the lost poem On Thomas:
Franjo BARIŠIĆ, “Les sources de Génésios et du Continuateur de Théophane pour
l’histoire du règne de Michel II (820–829)”, Byzantion 31, 1961, pp.
257-271; Paul LEMERLE, “Thomas le Slave”, Travaux et Mémoires 1, Paris,
Centre de Recherche d’Histoire et Civilisation Byzantines, 1965, p. 268; Warren
TREADGOLD, The Middle Byzantine Historians, London, Palgrave Macmillan,
2013, pp. 78-196.
[40]
GENESIOS, On the Reigns of the Emperors,
II.5.55–61; THEOPHANES CONTINUATUS, Chronographia, II.59.14.
[41] PHOTIUS, Homily IV, 2, 41-42, pp. 102-103.
[42]
CHRONICLE OF THE LOGOTHETE, 131.30; 136.32.
[43] PARASTASEIS SYNTOMOI CHRONIKAI, 3, edited by Averil CAMERON and Judith
HERRIN, Leiden, E. J. Brill, 1984, p. 59; MENOLOGION OF BASIL II (c. AD
979-1025), Vatican City, Biblioteca Apostolica Vaticana, Vat. gr. 1613, fol.
142.
[44] JOHN SKYLITZES, Synopsis historiarum, Michael IV, 10, edited by
Hans THURN, Berlin, De Gruyter, 1973, p. 400;
Steven RUNCIMAN, “Some Remarks on the Image of
Edessa”, Cambridge Historical Journal, 3/3 (1931), pp.
238-252; Averil CAMERON,
“The History of the Image of Edessa: The Telling of a Story”, Harvard Ukrainian
Studies 7, 1983, pp. 80–94; Mark GUSCIN, The Image of Edessa, Leiden–Boston,
Brill, 2009; Christopher SPRECHER, Emperor and God: Passion
Relics and the Divinisation of Byzantine Rulers, 944–1204, Heidelberg,
Heidelberg University Publishing, 2024, pp. 13-74.
[45] CONSTANTINE VII PORPHYROGENITUS, De ceremoniis, II.8,
translated by Ann MOFFATT and Maxeme TALL, Canberra, Australian Association for
Byzantine Studies, 2012, vol. 2, pp.
538-541. The feast is first mentioned in the Kletorologion, compiled around AD
899, which survives as an appendix of the Book of Ceremonies (II. 52, p.
723). According to Theophanes, some sections of the walls
collapsed during the earthquake of AD 740, and the tremors following the main
shock continued for several months. It is easy to imagine such circumstances as the context in which this ritual
was first established: THEOPHANES
CONFESSOR, Chronographia, 412-413, edited by Carl DE BOOR, Leipzig, B.
G. Teubner, 1883-1885.
[46] ARETHAS OF CAESAREA, Scripta minora, Opus 58; 59, edited by
Leendert G. WESTERINK, Leipzig, B. G. Teubner, 1968–1972; NARRATIO DE IMAGINE
EDESSENA, edited by E. von DOBSCHÜTZ, op. cit., pp. 29-129; THEODORE
DAPHNOPATES, Oratio de translatione manus, edited by Ioli KALAVREZOU,
op. cit., pp. 53-79.
[47]
James C. SKEDROS, Saint
Demetrios of Thessaloniki: Civic Patron and Divine Protector, 4th-7th
Centuries CE, Harrisburg,
Trinity Press International, 1999; Charalambos BAKIRTZIS, “Pilgrimage to Thessalonike: The Tomb of St
Demetrios,” Dumbarton Oaks Papers, 56 (2002), pp. 175-192.
[48] JOHN SKYLITZES, Synopsis historiarum, Michael IV, 27, translated
by John WORTLEY, Cambridge, Cambridge University Press, 2019, p. 388.
[49] Robert Lee WOLFF,
“Footnote to an Incident of the Latin Occupation of Constantinople: The Church
and the Icon of the Hodegetria,” Traditio, 6 (1948), pp. 319-328; Maria VASSILAKI (ed.), Images of the Mother of God:
Perceptions of the Theotokos in Byzantium, London, Routledge, 2005; Anthony KALDELLIS, “The Military Use of the Icon of
the Theotokos and its Moral Logic in the Historians of the Ninth-Twelfth
Centuries,” Estudios bizantinos, 1 (2013), pp. 56-75.
[50] PAULINUS OF NOLA, Carmen 19, 142–143; AUGUSTINE, Sermo 296,
cols. 1359-1365; WIŚNIEWSKI, op. cit., pp. 48-69.
[51] SIDONIUS APOLLINARIS, Epistulae, VII.1.2-7, pp. 286–291;
BALDOVIN, op. cit., pp 229-268; ANDRADE, op. cit., pp. 161-189; LAVAN,
op. cit., pp. 150-234; BRUBAKER and WICKHAM, op. cit., pp. 121-187.
[52] GREGORY OF TOURS, Historiae, III.29.
[53] GREGORY OF TOURS, De gloria martyrum, 83, edited by Bruno
KRUSCH, MGH, SS rer. Merov. I.2, Hannover, Hahn, 1885, pp. 351-352;
English translation by Raymond VAN DAM, Liverpool, Liverpool University Press,
1988, pp. 79-80.
[54] GREGORY OF TOURS, De virtutibus sancti Martini, 34, edited by
Bruno KRUSCH, MGH, SS rer. Merov. I.2, 2nd ed., Hannover, Hahn, 1969, p.
154. Gregory also mentions various other examples of
saints protecting people, towns or regions, for instance: Gregory of Tours, Glory of the Martyrs, 12;
43; 51; 59; 75; 77; Miracles of Saint Martin, 2; 9; 10; 11; 14; 27; GREGORY OF TOURS, De gloria confessorum, 2;
22; 44, edited by Bruno KRUSCH, MGH, SS rer. Merov.
I.2, 2nd ed., Hannover, Hahn, 1969.
[55] GREGORY OF TOURS, De gloria confessorum,
78.
[56]
Considering that one of the cases comes from Northern
Spain, is possible to speculate that this practice may have
developed first around Hispania. However, beyond Gregory’s description of
the siege of Zaragoza, no other evidence of similar rituals survives for the
region. For instance, Hispanic
chroniclers such as Hydatius, John of Biclar, or Isidore of Seville make no
mention of similar rituals or ceremonies.
[57] GREGORY OF TOURS, De gloria martyrum,
89.
[58] Third Council of Braga, Canon 5, in: José VIVES (ed.), Concilios
visigóticos e hispano-romanos, Barcelona–Madrid, Consejo Superior de
Investigaciones Científicas, 1963, pp. 365-376.
[59]
PASSIO LEUDEGARII I, 22, edited
by Bruno KRUSCH, MGH, SS rer. Merov. V, Hannover, Hahn, 1910, pp.
303–304; English translation in Paul FOURACRE and Richard A. GERBERDING, Late
Merovingian France: History and Hagiography, 640-720, Manchester,
Manchester University Press, 1996, pp. 238-239.
[60]
PASSIO LEUDEGARII I,
p. 304: Commovens igitur universum urbis illius populum, cum triduano
ieiunio, cum signo crucis et reliquiis sanctorum murorum circumiens ambitum,
per singulos etenim aditos portarum terrae adherens, Dominum praecabatur cum
lacrimis, ut, si illum vocabat ad passionem, plebem sibi creditam non
permitterit captivari, et ita praestatum est evenisse.
[61]
LIBER PONTIFICALIS, 94 (Stephen
II), 10-11, edited by Louis DUCHESNE, Le Liber Pontificalis: Texte,
introduction et commentaire, 2 vols, Paris, E. Thorin, 1886-1892, pp.
442-443; English translation in Raymond DAVIS, The Lives of the
Eighth-Century Popes, Translated Texts for Historians, Liverpool, Liverpool
University Press, 2007, p. 56.
[62] DOBSCHÜTZ, op. cit., pp. 64-68; KITZINGER, op. cit., pp. 83-150;
Gerhard WOLF, Salus Populi Romani: Die Geschichte römischer Kultbilder im
Mittelalter, Weinheim, Wiley-VCH GmbH, 1990, pp. 3-78; Hans BELTING, Likeness
and Presence, Chicago, University of Chicago Press, 1994, pp. 65-68;
Gerhard WOLF and Renato NICOLINI (eds.), Il volto di Cristo. Catalogo della mostra a Roma, Palazzo delle Esposizioni, Rome, Electa Editrice, 2000, pp. 39-45.
[63] Thomas S. BROWN, “Byzantine
Italy, 680-876,” in: John
SHEPARD (ed.), The Cambridge History of the Byzantine Empire, c. 500-1492,
Cambridge, CAMBRIDGE UNIVERSITY PRESS,
2008, pp. 433-464.
[64]
For instance, the letter of Pope Gregory II to
Patriarch Germanos that was included in the acts of the Second Council of
Nicaea: Richard PRICE, ed., The Acts of the Second Council
of Nicaea (787), TTH, Liverpool,
LUP, 2018, pp. 327-334; Leslie BRUBAKER and John HALDON, Byzantium in the
Iconoclast Era c. 680-850: A History, Cambridge, Cambridge University
Press, 2011, pp. 90-91
[65]
LIBER PONTIFICALIS,
105, 18-19, p. 110; BELTING, op. cit., pp. 65-68; 498-499.
[66] ABBO OF SAINT-GERMAIN, Bella Parisiacae urbis, II.247-248,
edited by Paul VON WINTERFELD, MGH, Poetae Latini Aevi Carolini 4.1,
Berlin, Weidmann, 1899, p. 105; English translation in Anthony ADAMS and A. G.
RIGG, “A Verse Translation of Abbo of St Germain’s ‘Bella Parisiacae urbis’,” Journal
of Medieval Latin, 14 (2004), pp. 9-50.
[67] Jo Ann McNAMARA, John E. HALBORG, and E. Gordon WHATLEY (eds.), Women
of the Dark Ages, Durham, Duke University Press, 1996, pp. 17-37; Moshe
SLUHOVSKY, op. cit., pp. 11-28, 46-54; Miracula Sanctae Genovefae postmortem,
in: Acta Sanctorum, January I, Société des Bollandistes, Paris,
Garnandet, 1863, pp. 149-151; SLUHOVSKY, op. cit., pp. 11-28, 46-54.
[68] RADBOD OF UTRECHT, Miracula sancti Martini Turonensis, 5-6,
edited by Oswald HOLDER-EGGER, MGH, SS 15.2, Hannover, Hahn, 1888, p. 1243; Sharon FARMER, Communities of Saint Martin: Legend and Ritual in
Medieval Tours, London, Cornell University Press, 1991, pp. 38-188,
305-209; Yossi MAUREY, Medieval Music, Legend and the Cult
of St. Martin. The Local Foundations of a Universal Saint, Cambridge, CAMBRIDGE
UNIVERSITY PRESS, 2014,
pp.109-118.
[69] GREGORY OF TOURS, Historiae, II.37; IV.48, pp. 85-88, 184-185;
English translation by THORPE, op. cit., pp. 151-154, 244-245; GREGORY OF
TOURS, De virtutibus sancti Martini, II.27, p. 169; English translation
by VAN DAM, op. cit., pp. 242-243.
[70]
For examples of these in late medieval and early
modern France: SLUHOVSKY, op. cit., pp. 90-214.
[71]
Regarding these concepts: Averil
CAMERON, “Images of authority:
elites and icons in late sixth-century Byzantium,”
Past & Present,
84 (1979), pp. 3-35; John F. HALDON, Byzantium in the Seventh Century:
the Transformation of a Culture, Cambridge, Cambridge University Press,
1997; Mischa MEIER, Justinian:
Herrschaft, Reich und Religion, München, C.H. Beck, 2004; Mischa MEIER, “The Roman Context of Early Islam,”
Millennium,
17, 1 (2020), pp. 265-302; Mischa, MEIER, “The Justinianic Plague: The Economic
Consequences of the Pandemic in the Eastern Roman Empire and Its Cultural and
Religious Effects,” Early Medieval Europe, 24, 3 (2016), pp. 267-292. For the Christianisation of the Latin-West: Julia M. H. SMITH, Europe
after Rome: A New Cultural History 500-1000, Oxford, OUP, 2005; Peter BROWN, The Rise of Western Christendom: Triumph and Diversity,
A. D. 200-1000, Oxford, Blackwell, 2013; Judith, HERRIN, The Formation of Christendom, Princeton,
Princeton University Press, 2013. For a more general approach: Thomas F. X.
NOBLE and Julia M. H. SMITH
(eds.), The Cambridge History
of Christianity, vol. 3: Early Medieval Christianities, c. 600-c. 1100, Cambridge, Cambridge University Press, 2010.
[72] Marianne VEDELER, Charismatic Objects: From Roman Times to the
Middle Ages, Oslo, Nordic Open Access Scholarly Publishing, 2019, pp. 9-28; Martin RADERMACHER, “From ‘Fetish’ to ‘Aura’: The Charisma of Objects?,” Journal of religion in Europe, 13, 2 (2019), pp. 166-190.
[73] VEDELER, op. cit., p. 28; RADERMACHER, op. cit., pp. 22-23.
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